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A new year, a new administration. Renewed hopes as we write a fresh
narrative for the nation. Winter and spring, percolation and profusion.
But ideas, figments, and anecdotes are perpetual, free from seasons
and political shifts, like dust particles in the air, waiting for
the moment when sunlight catches them and a flash illuminates our
vision. As we dive headlong into the perilous times that are 2009,
it's worth remembering we are empowered to shape the myriad narratives
around us, at liberty to travel our own roads, mark what we will,
and nod or laugh at what we find and build. The conversation summarized
below can be adapted for any purpose: comedy of manners, the darkest
of tragedies, social polemic, pornography, cultural farce, ode, stage
play, daytime soap. The final form and lasting impact are up to us.
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In this issue we're pleased to feature a group of writers and poets
who gamely take on the task of cataloging, mourning, and celebrating
the dust particles around us. Paul Sohar and Matt Schumacher muse
on gulags urban and deadly, David Groulx finds solace in ethnic heritage
and the totemic significance of place names, and Diana Festa takes
comfort in one's roosting place, while James Bybee (a founding editor
of this magazine) and Deborah H. Doolittle discover whole worlds encased
in single thoughts, or within a tulip's petals. The color red and
coffee cups play central roles in Kris Bigalk and Taylor Graham's
ruminations, while John Estes contributes an amusing paean to worldly
engagement, even if that world must include Starbucks and email. On
the flip side, Llyn Clague and William Bernhardt offer clear-eyed
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