knows something I don't. Something vitally important. The karaoke house: It is late, and Halley is drunk. Miho has left the US once again, uncer-tain of a date of return. I didn't even have a chance to hang with her, she sighs. Do you even know if she … , begins Paul, but she re-fuses to let him finish the reasonable question. My love is away, and I'm upset about it, she slurs. Now I will sing. Paul winces, a genuine wince this time, because to him karaoke is a be-trayal, a surrender to conformity. They are hud-dled together in a private booth, a disco ball fal-tering above them. As a postcard-plastic moon hangs on the television screen, she launches in-to the old Flamingos standby: The moon is bright … and so am I … many millions of people pass by … She is slumping against him now, fighting her drunkenness, entirely focused | | on finishing this tune as if something good will come out of it, and even as he crosses his arms and thinks, I can't believe I'm here, he watches her. She does have a good singing voice, even when drunk. In fact … But they all disappear from view … 'cause I only have eyes for you … She pours out her soul, oblivious to the man she is leaning against, and as he stares at her, transfixed, breath trapped in his throat, mouth gaping, gripped with a newborn urge to put his arm around her shoulders, he thinks to himself: Oh shit. This is love. Ho Lin is an editor and webmaster of Caveat Lector. Sample his website: www.holin.us. |